Flying into Liverpool from sell out performances at the London Palladium, musical classic The Wizard of Oz has been given a contemporary twist complete with additional songs by Andrew Lloyd Webber and Tim Rice. Starring Aston Merrygold of JLS fame as Tin Man and local legend / RuPaul’s Drag Race UK winner The Vivienne as the Wicked Witch of the West, this is a colourful, technological masterpiece with stunning sets and costumes.
The yearly rock ’n’ roll panto at the Everyman has become an institution of Liverpool in the same way as the Superlambbanana and purple wheelie bins are icons of the city. This year’s panto is Cinderella, but with a clever twist. Written by Luke Barnes and directed by James Baker, the show is a refreshing interpretation of the traditional fairytale. This Cinderella isn’t a damsel in distress, she’s her own comic book hero delivering a message of self-love and how being true to yourself is the most important thing.
He is the A-L-E-X-A-N-D-E-R we are here to see, and for the first time we are doing so outside of London as the show embarks on it’s first ever UK tour which kicked off in Manchester. We went to two performances before writing this review; opening night and then the Saturday night performance a week later. We wanted to wait before writing this review as we know opening night may not be reflective of the full show, but if you want to see our opening night thoughts our YouTube channel has a review of that performance.
Stock Aitken Waterman are synonymous with the music of the 80’s. In 1989 alone, they were responsible for 27% of the UK music singles market sales! They are even responsible for the global phenomenon that is Rick Astley’s Never Gonna Give You Up. Now, Debbie Isitt who is best known for creating The Nativity films and musical has taken some of Stock Aitken Waterman’s best loved works to create the new musical I Should Be So Lucky.
As part of the First Folio exhibition currently on at Shakespeare North Playhouse, Associate Artist Ben Crystal has delivered an absolutely fascinating insight into how the First Folio was made, and what makes the First Folio such an important piece of both literature and history. During the Lights On / Lights Off shows which Ben directed and performed in, he gave brief background details into each of the excerpts of the plays which we both really enjoyed.
400 years ago, just 7 years after Shakespeare’s death, the First Folio containing 36 of Shakespeare’s plays was published. Now, to coincide with the European premiere of ‘The Book of Will’, Shakespeare North Playhouse have an exhibition all about the First Folio, which includes an actual copy of the First Folio which is on loan from The British Library. Forming part of The British Library’s Treasures on Tour programme, the First Folio on display is The Grenville First Folio which was bequeathed to the library by Thomas Grenville in 1846.
Every year, the waterfront of Liverpool is transformed into an outdoor exhibition of light. Artists from around the world bring fantastic light sculptures to different spots around the city to provide a walking trail of art. For 2023, the River of Light is embracing the legacy of Eurovision 2023 with a range of illuminated art pieces that draw on Eurovision and the connection the people of the city will forever have with Ukraine and the rest of Europe.
As part of the celebration of the 400th anniversary of Shakespeare’s First Folio, Shakespeare North Playhouse are staging Lauren Gunderson’s The Book of Will. Telling the tale of how the First Folio came to be, and how so many of Shakespeare’s plays only survive due to the efforts of those who knew him best, The Book of Will is a fantastic co-production with Queen’s Theatre Hornchurch and Octagon Theatre Bolton.
A play within a play performed across three acts, Michael Frayn’s Noises Off is the original “goes wrong” play. Following the on and off stage antics of a touring theatre company as they perform ‘Nothing On’, Frayn’s work is timeless and this latest touring production directed by Lindsay Posner is brilliantly bad. The show begins with the cast of ‘Nothing On’ completing a final rehearsal before opening night. The cast are woefully underprepared; Dotty (Liza Goddard) is constantly getting lines wrong and misplacing sardines, Frederick (Simon Coates) keeps finding plot holes, and Brooke (Lisa Ambalavanar) is not only extremely inexperienced but has an uncanny ability to lose contact lenses.