Liverpool Playhouse

Frankenstein

★★★☆☆

Imitating The Dog are known for combining innovative digital media with traditional theatre to create exceptional works. Their production of Macbeth last year was one of our favourite stage productions of the year (you can read our review here), so when we saw that they were continuing their Gothic production theme with an interpretation of Frankenstein we knew that we had to go.

The production combines the classic Marry Shelley Frankenstein with that of a story of a nameless couple who are navigating an unplanned pregnancy. As they discuss what it means to be human, whether bringing a baby into the current world is the right thing to do, and create their own monsters through a lack of understanding those who are different, the storyline constantly switches to the text of Frankenstein which is cleverly introduced as a radio dramatisation. The struggles of Frankenstein, and the moral dilemma he faces in bringing life to his Creature, mirror that of the nameless couple.

My Beautiful Laundrette

★★★★☆

Adapted from the 1985 film of the same name, My Beautiful Laundrette is a sophisticated, heartfelt and painful reminder that the world is still full of inequality.

The show is set around Omar (Lucca Chadwick-Patel), a young British Pakistani who is struggling to find work during the height of Thatcher’s Britain. In a bid to give Omar more than just a life on “The Dole”, his Papa (Gordon Warnecke) decides Omar will work for his Uncle, and then go to college.

Unfortunate

★★★★☆

So you think Ursula is the villain of The Little Mermaid? How unfortunate, you’re about to discover you have been lied to your entire life!

Written by Robyn Grant and Daniel Foxx, Unfortunate is part origin story, part redemption arc and a whole lot of chaotic, camp brilliance.

In a similar way to how Wicked re-wrote the tale of the Wicked Witch, Unfortunate takes audiences through Ursula’s life to show that she isn’t all bad. A childhood of bullying and hiding her dark magic, a forbidden love and a parental betrayal that leaves Ursula banished and a sea cucumber in bits (RIP Kirsty) all contributed to the events in The Little Mermaid. Though even those events aren’t strictly accurate, and with a different perspective we see what really happened to Ariel and what the true happy ending was.

2024 Upcoming Shows

Happy New Year!

With a new year comes a new set of productions within the local area, so we thought we’d share details of some of the productions which will be coming to the local area in 2024 that we are most excited about.

With a few productions, particularly those at ATG Theatres, the touring productions are on in both Liverpool and Manchester at different times of the year. This means we’re able to look at what dates work best for us, or to see productions multiple times. We’ll list the dates under each of the venues a tour is visiting, but we may only see them at one of the venues listed. We’ve also tried to group the venues based on the city they’re in, starting in Liverpool and moving eastwards to Manchester.

TONY! The Tony Blair Rock Opera

★★★★★

If you’ve ever wondered what would happen if you crossed The Book of Mormon with Spitting Image, and then added a smidge of Harry Hill’s TV Burp insanity, then Tony! The Tony Blair Rock Opera has the answer! Telling the story of former Prime Minister Tony Blair’s rise to power, and his transformation from pop-rock hippy front man of Ugly Rumours to a warmongering multimillionaire, this hilarious musical comedy is written by Harry Hill and Steve Brown.

I,Daniel Blake

★★★★★

If you have never been in a theatre where the end of the show is met by massive amounts of tears by the audience and a standing ovation for a phenomenal cast, then you probably haven’t been to watch I, Daniel Blake.

Based on the Ken Loach directed film, this stage production has been adapted by Dave Johns who starred in the original film as the titular character, and is a co-production between tiny dragon Productions andEnglish Touring Theatre, in association with Northern Stage.

Alice in Wonderland

★★★★☆

Based on Lewis Carroll’s classic novel, this modern retelling of Alice in Wonderland is a fantastic musical romp across different genres to produce a heartfelt, family-friendly musical, with just a hint of panto.

In this production, Wonderland is a broken stereo. A mix tape produced by Alice’s (Paislie Reid) recently deceased Father has become stuck in the stereo, but luckily Alice is able to fix anything, so she quickly gets to work repairing the stereo. Unfortunately, her attempts don’t quite go to plan and she finds herself trapped inside the stereo. Her only way out is to save the stereo from the evil plans of sisters the Queen of Clubz (with a z) and the Queen of Charts. Along the way, Alice meets a variety of different stereo buttons, and with the support of her brother Lewis (Zweyla Mitchell dos Santos) discovers the importance of empathy and learns how to cope with the loss of her Dad.

Macbeth

★★★★☆

Double, Double, toil and….yakuza?

The Scottish play is possibly one of Shakespeare’s best known tragedies, telling the tale of Macbeth’s rise to power and his attempts to retain that power against a backdrop of murder. This production of Macbeth by Imitating The Dog was unlike any other production we have ever seen, and completely modernises the play in a way that Baz Luhrmann did for Romeo and Juliet in the 90’s.

Transporting the play to Estuary City, a gritty neon world that invokes images of London and Tokyo, this version of Macbeth incorporates video technology, modern language and a violent noir backdrop to stunning effect. Throughout the production, two cameras capture Macbeth and Lady Macbeth on the stage. These images appear on screens above the stage, and in combination with the sectional staging give individual perspectives of the action on stage. With background films projected onto the staging, Imitating The Dog have created a cinematic masterpiece within a live theatre environment. Our favourite example of this was Lady Macbeth riding a subway train to meet Macbeth. The camera focussed on each of them individually to set them apart on stage whilst being only metres away from each other, whilst also delivering the feeling of motion through the subway train; incredibly creative and effective.

Richard III

★★★★☆

Set against a backdrop of Morris dancing, and following her critically acclaimed production of Richard II at Shakespeare’s Globe, Bridgerton star Adjoa Andoh brings a powerful performance of Richard III to the Liverpool Playhouse for a limited time run.

Given that Richard III is the second longest of Shakespeare’s plays, and that this was the first time we’d been to watch a performance of any of The Bard’s historical plays, there was a slight apprehension that we wouldn’t enjoy the performance. Within the first scene, we knew that wasn’t going to be the case and we were about to watch something special.