Co-produced by English Touring Theatre, Northern Stage, Shakespeare North Playhouse and Théâtres de la Ville de Luxembourg, this contemporary production of Shakespeare’s classic Macbeth is not only unafraid to provocatively subvert the genre of the play, but to also rearrange the scenes to create a powerful stage show that mirrors the political landscape of modern Britain. This fresh perspective of is a commendable modernisation, which director Richard Twyman has ensured still honours the Scottish roots of the original play.
Ahead of taking their show to the Edinburgh Fringe, Pinch Punch improv group’s Locomotive For Murder pulled up in Liverpool as part of the annual Liverpool Theatre Festival. Performing on one of the wettest July night’s ever, in the very much open air space of St. Luke’s Bombed Out Church, Pinch Punch transported the audience back to a world of Agatha Christie for an hour of quick-witted, unexpected and surreal comedy, mixed in with solving a murder.
Improvised Rubbish Shakespeare isn’t quite as the name suggests. Yes, there is improvisation with a Shakespearean twist, but this is far from rubbish. The Rubbish Shakespeare Company have created an engaging format that is a creative introduction to the language and style of Shakespeare, whilst also being an hilarious comedy. The premise of the show is William Shakespeare has failed to turn up for a performance meaning the cast have no scripts.
The Olivier Award nominated Midsummer Mechanicals is back for Summer 2023 at The Globe, but before opening in London the show has completed a very limited run at Shakespeare North Playhouse. Set one year after the mechanicals performed Pyramus and Thisbe, Nick Bottom (Kerry Frampton) and Peter Quince (Jamal Frankin) are trying to get the group back together to perform a new show. Unfortunately, the script isn’t complete, Francis Flute (Sam Glen) has gone through puberty which poses a problem for him to play the female roles, and Tom Snout isn’t available so his wife Patience (Melody Brown) has decided to take his place, but as a female she legally can’t perform.
After really enjoying Saving Shakespeare: Murder, Magic & Mayhem by A Place For Us CIC (you can read our review here), we were excited to see what they would do with an 80’s music filled performance of A Midsummer Night’s Dream, titled Electric Dreams. Held amongst the ruins at Norton Priory, and featuring classic 80’s tracks such as Tainted Love, Sweet Child o’ Mine, and Total Eclipse of the Heart, this show kicked off the Halton Pride celebrations with a bang!
Based on Lewis Carroll’s classic novel, this modern retelling of Alice in Wonderland is a fantastic musical romp across different genres to produce a heartfelt, family-friendly musical, with just a hint of panto. In this production, Wonderland is a broken stereo. A mix tape produced by Alice’s (Paislie Reid) recently deceased Father has become stuck in the stereo, but luckily Alice is able to fix anything, so she quickly gets to work repairing the stereo.
Heathers is not your standard high school musical. Based on the 1989 film which was intended to be an anti-John Hughes portrayal of teen life, the musical version of Heathers retains all the dark comedy that makes the original film a cult classic, whilst mixing in catchy group numbers and hard hitting solo pieces. The plot of Heathers is in someways what you would expect from a high school based musical; there’s a clique of girls all named Heather who rule the school, and the nerdy Veronica Sawyer wants to fit in with the popular girls.
Developed by A Place For Us CIC in 2022, Saving Shakespeare is an energetic frolic through some of Shakespeare’s most iconic works. The premise of the show is William Shakespeare, or Will I Am as he refers to himself, has arrived at court to perform his latest production. Unfortunately, Will has forgotten the script, and none of the actors have turned up. His only hope are two women who aren’t even legally allowed to act.
As huge Eurovision fans, we could have easily written an entire website of reviews covering all the different Eurovision events we have been to over the previous week (turquoise carpet, two semi final rehearsals, two live shows including the final, copious amounts of concerts within the Eurovision village and around the city). Eurovision has undoubtedly been one of the best weeks of our lives, but rather than review every single thing we have done, we’ve decided to focus on the one that best fits in with this website’s content; Douze Points at the Liverpool Philharmonic.