Review
My Son's a Queer, (But What Can You Do?)
Liverpool PlayhouseInternet sensation Rob Madge is arguably best known for their childhood home videos showing their recreations of Disney rides and parades. Often including their family members as supporting cast or slightly unsuspecting ride participants, millions have viewed Madge’s videos across multiple social media platforms. Utilising these home videos, Madge has created a one-person biographical show that is touring the UK for the first time following successful runs at the Edinburgh Fringe and on the West End.
Hamlet
Knowsley HallNamed after the company that William Shakespeare worked for as an actor and playwright, the all-male theatre company The Lord Chamberlain’s Men has performed Shakespeare’s plays as close to the original presentation as possible for the last 20 years. Touring throughout Europe, the company performs in the open air wearing Elizabethan costumes and features music and song within the performances. As an all-male group, any female roles are played by the men, as would have been the case in Shakespearean England.
Tell Me How It Ends
Liverpool Everyman TheatreThe 1980s, a time of big hair and even bigger shoulder pads, the emergence of MTV, and when an epidemic brought with it prejudice, fear, and new attitudes around being queer. In hospital rooms across the country, and indeed the world, groups of lesbians were ensuring that gay men diagnosed with HIV/AIDS were not forgotten or left to suffer alone. Many families turned their backs on their loved ones out of fear, but the lesbian community stepped up to support a part of society that many had marginalized.
Frankie Goes to Bollywood
HOME MCRBollywood, the billion pound Indian film industry, is synonymous with high-energy, perfectly choreographed, song-and-dance numbers, elaborate costuming, and melodramatic storylines that convey a deeper moral lesson to the audience. Rifco Theatre Company have now taken these key Bollywood elements and combined them with the experiences of British women within the Bollywood film industry bubble to produce a brand new musical entitled Frankie Goes to Bollywood.
Silence
HOME MCRIn 1947, the Partition of India took place. Marking the end of British colonial rule, India was divided into three parts: India, West Pakistan (now Pakistan), and East Pakistan (now Bangladesh). The Partition triggered one of the largest mass migrations in history, with an estimated 10-15 million people crossing between the different countries. Accompanying this migration came unprecedented violence. Riots, massacres, millions of deaths, and the decimation of entire villages irrevocably changed the social fabric of the region and also shaped modern Britain.
The Legend of Ned Ludd
Liverpool Everyman TheatreThe concept of machines taking over the world has a long tradition within popular culture. From Terminator’s thumbs up as he descends to a fiery death, to Westworld, I Robot and 2001: A Space Odyssey, technology is often portrayed as going rouge to create a form of dystopian future. With the rise of Artificial Intelligence, Deep Fakes, and outsourcing of work to automation the apocalyptic wasteland can feel as though it’s within touching distance.
Frankenstein
Liverpool PlayhouseImitating The Dog are known for combining innovative digital media with traditional theatre to create exceptional works. Their production of Macbeth last year was one of our favourite stage productions of the year (you can read our review here), so when we saw that they were continuing their Gothic production theme with an interpretation of Frankenstein we knew that we had to go. The production combines the classic Marry Shelley Frankenstein with that of a story of a nameless couple who are navigating an unplanned pregnancy.
Cluedo 2
The LowryIconic murder mystery boardgame Cluedo has already been adapted into a film (a cult classic with Tim Curry no less!), multiple television shows, musicals and in 2022 a play directed by Mark Bell who is best known for directing The Play That Goes Wrong. Now, Cluedo 2 is following the success of the 2022 play with a semi-sequel written by Laurence Marks and Maurice Gran, with Mark Bell returning as the director.
Richard III (ish)
Shakespeare North PlayhouseCovering the second longest Shakespearean play in a family friendly way, in under an hour, and with just one person performing all the parts is bordering on absurd. But only bordering, because Cream-Faced Loons proved that not only can this be done, it can be done brilliantly. The premise of the show is that the Cream-Faced Loons are due to perform an extravagant version of Richard III (even acrobats were mentioned at one point!