Birkenhead born playwright Michael Wynne has a Midas Touch when it comes to creating thought provoking plays that perfectly encapsulate Merseyside family life. His latest offering Cuckoo is absolutely no exception. Created in partnership with the Royal Court Theatre London, BAFTA and Olivier Award winner Wynne has created a dark comedy that showcases multi-generational family dynamics, the different ways of coping in an unpredictable world, and the different responses people have to societal issues.
Tapping it’s way into Liverpool for a limited time, the UK and Ireland tour of 42nd Street brought Depression-era Broadway glamour in a way that only this classical musical within a musical can. Based on a 1933 film, which itself is based on an earlier novel, 42nd Street as a stage show originated in the 1980’s and features well-known musical numbers such as We’re In The Money, Keep Young And Beautiful, and the eponymous 42nd Street.
Co-produced by English Touring Theatre, Northern Stage, Shakespeare North Playhouse and Théâtres de la Ville de Luxembourg, this contemporary production of Shakespeare’s classic Macbeth is not only unafraid to provocatively subvert the genre of the play, but to also rearrange the scenes to create a powerful stage show that mirrors the political landscape of modern Britain. This fresh perspective of is a commendable modernisation, which director Richard Twyman has ensured still honours the Scottish roots of the original play.
Ahead of taking their show to the Edinburgh Fringe, Pinch Punch improv group’s Locomotive For Murder pulled up in Liverpool as part of the annual Liverpool Theatre Festival. Performing on one of the wettest July night’s ever, in the very much open air space of St. Luke’s Bombed Out Church, Pinch Punch transported the audience back to a world of Agatha Christie for an hour of quick-witted, unexpected and surreal comedy, mixed in with solving a murder.
Improvised Rubbish Shakespeare isn’t quite as the name suggests. Yes, there is improvisation with a Shakespearean twist, but this is far from rubbish. The Rubbish Shakespeare Company have created an engaging format that is a creative introduction to the language and style of Shakespeare, whilst also being an hilarious comedy. The premise of the show is William Shakespeare has failed to turn up for a performance meaning the cast have no scripts.
The Olivier Award nominated Midsummer Mechanicals is back for Summer 2023 at The Globe, but before opening in London the show has completed a very limited run at Shakespeare North Playhouse. Set one year after the mechanicals performed Pyramus and Thisbe, Nick Bottom (Kerry Frampton) and Peter Quince (Jamal Frankin) are trying to get the group back together to perform a new show. Unfortunately, the script isn’t complete, Francis Flute (Sam Glen) has gone through puberty which poses a problem for him to play the female roles, and Tom Snout isn’t available so his wife Patience (Melody Brown) has decided to take his place, but as a female she legally can’t perform.
Buffy Revamped is a one man show by Brendon Murphy that covers all 7 seasons of the cult classic Buffy The Vampire Slayer in just 70 minutes. With Murphy taking on the role of Spike, the exploits of The Slayer, the Scooby Gang, plus various bad guys are re-told. We had no idea what to expect ahead of the show, but I (Jo) am a massive Buffy fan and re-watch the entire 7 seasons (The Body episode aside!
After really enjoying Saving Shakespeare: Murder, Magic & Mayhem by A Place For Us CIC (you can read our review here), we were excited to see what they would do with an 80’s music filled performance of A Midsummer Night’s Dream, titled Electric Dreams. Held amongst the ruins at Norton Priory, and featuring classic 80’s tracks such as Tainted Love, Sweet Child o’ Mine, and Total Eclipse of the Heart, this show kicked off the Halton Pride celebrations with a bang!
Based on Lewis Carroll’s classic novel, this modern retelling of Alice in Wonderland is a fantastic musical romp across different genres to produce a heartfelt, family-friendly musical, with just a hint of panto. In this production, Wonderland is a broken stereo. A mix tape produced by Alice’s (Paislie Reid) recently deceased Father has become stuck in the stereo, but luckily Alice is able to fix anything, so she quickly gets to work repairing the stereo.